My Lady Caprice — A Reader’s Guide
Edition facts
For My Lady Caprice — A Reader’s Guide, the stored edition analysis reports 43,513 words, 3 hr 10 min estimated reading time, and 5 detected text sections.
The text analysis averages about 16.7 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Humorous stories,” connecting these edition facts with the source record’s subject description.
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- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Elizabeth had mistaken the friendship which had existed between us so long for something stronger. That although she (Lady Warburton) quite appreciated the fact that one who wrote books, and occasionally a play, was not necessarily immoral-- Still I was, of course, a terrible Bohemian, and the air of Bohemia was not calculated to conduce to that degree of matrimonial harmony which she (Lady Warburton) as Elizabeth's Aunt, standing to her in place of a mother, could wish for. That, therefore, under these circumstances my attentions were--etc., etc.
Here I would say in justice to myself that despite the torrent of her eloquence I had at first made some attempt at resistance; but who could hope to contend successfully against a woman possessed of such an indomitable nose and chin, and one, moreover, who could level a pair of lorgnette with such deadly precision? Still, had Lisbeth been beside me things might have been different even then; but she had gone away into the country--so Lady Warburton had informed me. Thus alone and at her mercy, she had succeeded in wringing from me a half promise that I would cease my attentions for the space of six months, "just to give dear Elizabeth time to learn her own heart in regard to the matter."
This was last Monday. On the Wednesday following, as I wandered aimlessly along Piccadilly, at odds with Fortune and myself, but especially with myself, my eye encountered the Duchess of Chelsea.
The Duchess is familiarly known as the "Conversational Brook" from the fact that when once she begins she goes on forever. Hence, being in my then frame of mind, it was with a feeling of rebellion that I obeyed the summons of her parasol and crossed over to the brougham.
"So she's gone away?" was her greeting as I raised my hat--"Lisbeth," she nodded, "I happened to hear something about her, you know."
It is strange, perhaps, but the Duchess generally does "happen to hear" something about everything. "And you actually allowed yourself to be bullied into making that promise--Dick! Dick! I'm ashamed of you."
"How was I to help myself?" I began. "You see--"
"Poor boy!" said the Duchess, patting me affectionately with the handle of her parasol, "it wasn't to be expected, of course. You see, I know her--many, many years ago I was at school with Agatha Warburton."
"But she probably didn't use lorgnettes then, and--"
"Her nose was just as sharp though--'peaky' I used to call it," nodded the Duchess. "And she has actually sent Lisbeth away--dear child--and to such a horrid, quiet little place, too, where she'll have nobody to talk to but that young Selwyn.
"I beg pardon, Duchess, but--"
"Horace Selwyn, of Selwyn Park--cousin to Lord Selwyn, of Brankesmere. Agatha has been scheming for it a long time, under the rose, you know. Of course, it would be a good match, in a way--wealthy, and all that--but I must say he bores me horribly--so very serious and precise!"
"Really!" I exclaimed, "do you mean to say--"
"I expect she will have them married before they know it--Agatha's dreadfully determined. Her character lies in her nose and chin."
"But Lisbeth is not a child--she has a will of her own, and--"
"True," nodded the Duchess, "but is it a match for Agatha's chin? And then, too, it is rather more than possible that you are become the object of her bitterest scorn by now.
"But, my dear Duchess--"
"Oh, Agatha is a born diplomat. Of course she has written before this, and without actually saying it has managed to convey the fact that you are a monster of perfidy; and Lisbeth, poor child, is probably crying her eyes out, or imagining she hates you, is ready to accept the first proposal she receives out of pure pique."
"Great heavens!" I exclaimed, "what on earth can I do?"
"You might go fishing," the Duchess suggested thoughtfully.
"Fishing!" I repeated, "--er, to be sure, but--"
"Riverdale is a very pretty place they tell me," pursued the Duchess in the same thoughtful tone; "there is a house there, a fine old place called Fane Court. It stands facing the river, and adjoins Selwyn Park, I believe."
"Duchess," I exclaimed, as I jotted down the address upon my cuff, "I owe you a debt of gratitude that I can never--"
"Tut, tut!" said her Grace.
"I think I'll start to-day, and--"
"You really couldn't do better," nodded the duchess.
And so it befell that on this August afternoon I sat in the shade of the alders fishing, with the smoke of my pipe floating up into the sunshine.
The narrator begins by fishing—though he admits he rarely catches anything and dislikes the activity—because circumstances demand it. The circumstances involve Lady Warburton, Lisbeth's aunt, who has extracted a half-promise from him to cease his attentions to Lisbeth for six months. The opening establishes a voice that is self-deprecating and ironic, with a fondness for comic exaggeration: Lady Warburton's nose and chin are described as 'indomitable,' and her lorgnette is wielded with 'deadly precision.' The narrator's predicament is set in motion by aunts and social expectations, a pattern that recurs throughout the excerpts.
A Voice That Winks at the Reader
The narrator’s tone is consistently wry and confiding. He addresses the reader directly—'Who Lisbeth is you will learn if you trouble to read these veracious narratives'—and undercuts his own actions with comic deflation. When he meets the Duchess of Chelsea, he calls her the 'Conversational Brook' because 'when once she begins she goes on forever.' The humor relies on exaggerated character sketches and the narrator’s helplessness against forceful women. This voice remains steady across the excerpts, from the opening fishing scene to the later encounter with Dorothy and the Indian play. The narrator never loses his amused, slightly self-mocking stance, even when describing romantic moments.
Aunts, Authority, and Comic Obstacles
Aunts are a recurring motif. Lady Warburton is the initial obstacle, but the narrator also invents the idea of an 'Indian’s aunt' to tease Dorothy. Dorothy herself quotes her Auntie Lisbeth’s complaints about children being 'such a constant source of worry and anxiety.' The aunts represent social authority and romantic barriers, yet they are treated with affectionate mockery rather than resentment. The narrator’s half-promise to Lady Warburton—to wait six months—creates the central tension, but the excerpts show him immediately seeking out Lisbeth, suggesting his promise is more a plot device than a serious constraint. The comic treatment of aunts aligns with the book’s lighthearted view of romantic obstacles.
Episodic Structure and Theatrical Set Pieces
The table of contents lists chapters with playful titles like 'Treasure Trove,' 'The Sheriff of Nottingham,' and 'The Episode of the Indian’s Aunt.' The excerpts confirm this episodic, almost theatrical quality. The narrator’s encounter with Dorothy involves a game of Indians, complete with a 'Spotted Snake' who shoots arrows at boats. The scene is staged like a miniature comedy: Dorothy speaks in a 'demure, old-fashioned way,' and the kitten Louise is treated as a character. The later scene of Lisbeth asleep in the old boat is a set piece of romantic observation, complete with a quotation from Goethe. These episodes feel like self-contained vignettes, each with its own comic or sentimental payoff.
The Romantic Center: Watching Lisbeth
The most sustained moment of romantic description occurs when the narrator finds Lisbeth asleep in the old boat. He watches her with detailed attention: 'the up-curving shadow of her lashes, the gleam of teeth between the scarlet of her parted lips, and the soft undulation of her bosom.' The passage is sensuous but restrained, framed by natural sounds—a butterfly, a bee, a bird, the weir’s roar. The narrator quotes Goethe on a pretty foot, a choice that blends literary pretension with genuine admiration. This scene contrasts sharply with the comic episodes, showing the narrator’s capacity for earnest feeling. The juxtaposition of humor and sentiment is a key structural feature of the excerpts.
The excerpts present a narrator who is both a participant and a commentator, caught between comic obstacles and genuine affection. Readers should expect a light, episodic narrative where romantic tension is leavened by wit and absurdity. The book’s humor depends on the narrator’s voice and the recurring motif of aunts as comic antagonists. The incomplete excerpts leave the resolution of the six-month promise unknown, but the tone suggests a happy, if mischievous, outcome.
That rainy afternoon, I finished My Lady Caprice while the window fogged; Lisbeth’s stubborn imagination lingered, so I reached for the shelf and found Tales for Fifteen; Or, Imagination and Heart — Text and Context. Same tender tension between daydream and reality, though quieter, older. I kept the kettle on and read far into the dusk.
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Cesar Lewis - 1 month ago
An absolutely delightful romantic comedy! 'My Lady Caprice' is a witty and charming novel that will keep you smiling from start to finish. The characters are wonderfully drawn, and the banter between the lovers is sparkling. I lost myself in this heartwarming story and didn't want it to end. Highly recommended for anyone wanting a cheerful escape. -
Jesus Henry - 4 weeks ago
I found 'My Lady Caprice' to be rather superficial and underwhelming. The humor falls flat, and the characters are one-dimensional. The romance is forced and the story lacks any real depth or emotional engagement. I struggled to finish it and was ultimately disappointed by the clichéd and drawn-out narrative. -
Alfred Anthony Thomas - 2 weeks ago
This is a pleasant, light-hearted romance with some genuinely funny moments. The author has a knack for humorous situations and creates a lovely atmosphere. However, the plot is fairly predictable and the characters are a bit too conventional. If you're looking for a quick, feel-good read, this is fine, but don't expect any surprises.
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Henry Nguyen
1 month ago